I was experimenting in the summer of 2014, with new printmaking mediums that were non-toxic. After drawing with Carandash watercolor crayons on the screen, the screen printing transparent ink base is squeegeed over the drawing, printing it onto the paper.
I experimented with Trace Lithos, a medium I noticed in a Gauguin exhibit in MoMA last year. My professor demonstrated it to the class and I had fun with the spontaneity and accidental marks.
11″x14″ 2-plate intaglio etching, from a plastic plate, using photo-sensitive emulsion to transfer the two painting/drawings of ink and tusche on vellum.
In other words, I painted and drew the marks onto frosted translucent vellum, with a carbon-ink solution. The drawings were then exposed to photo-sensitive emulsion-covered plastic plate. The plates were then developed in a soda ash bath, and then inked and printed on top of each other on paper.
Side entrance to our first house on Holmes Oval. 9’x12″ Linoleum Block print on paper. 2014
Intended to be the sister print to the Back Walkway to our next home.
11×17 3-color reduction woodcut on rice paper, edition of five
11×17 woodcut 2-color reduction print of Steve 2014
12 x 17 woodcut in October 2013
9×12 Linoleum block print of the back entrance to our home. I carved this in the Fall of 2013, as my first work, diving back into my masters degree in printmaking.
17″ x 11″ Woodcut of a back street in Granada, the Albayzín neighborhood with streets over a thousand years old
Two-color screen print on taupe paper, of Thompson Street, Tribecca area, New York City.
denise moser 